TOP   APC   PEAK   title   YEAR  
  1   65   41   SOMETHING JUST LIKE THIS   2017  
  2   95   44   A SKY FULL OF STARS   2014  
  3   168   51   PARADISE   2011  
  4   201   116   ADVENTURE OF A LIFETIME   2015  
  5   219   219   MY UNIVERSE   2021  
  6   222   126   HYMN FOR THE WEEKEND   2015  
  7   233   51   VIVA LA VIDA   2008  
  8   295   295   HIGHER POWER   2021  
  9   345   118   CLOCKS   2003  
  10   470   277   MAGIC   2014  
  11   829   829   FEELSLIKEIMFALLINGINLOVE   2024  
  12   1097   497   EVERY TEARDROP IS A WATERFALL   2011  
  13   1379   726   SPEED OF SOUND   2005  
  14   1624   867   PRINCESS OF CHINA   2011  
  15   1967   1743   ORPHANS   2019  
  16   2205   1223   CHARLIE BROWN   2011  
  17   2382   1156   VIOLET HILL   2008  
  18   3205   3205   WE PRAY   2024  
  19   3637   2347   THE SCIENTIST   2002  
  20   3678   1993   TALK   2005  
  21   4553   3742   UP & UP   2016  
  22   5059   2921   YELLOW   2000  
  23   5860   5860   HUMANKIND   2022  
  24   5197   3923   MIDNIGHT   2014  
  25   6209   4365   FIX YOU   2005  
  26   7060   6092   MIRACLES (SOMEONE SPECIAL)   2017  
  27   7181   4698   CHRISTMAS LIGHTS   2010  
  28   7239   3079   TROUBLE   2000  
  29   10644   5027   IN MY PLACE   2002  
  30   11681   11012   EVERYDAY LIFE   2019  
  31   11809   9566   EVERGLOW   2015  
  32   12260   9293   ATLAS   2013  
  33   15869   13956   HYPNOTISED   2017  
  34   16946   11069   LIFE IN TECHNICOLOR   2008  
  35   19211   15235   INK   2014  
  36           LET SOMEBODY GO   2021  
  37       9575   DON'T PANIC   2001  
  38           CHAMPION OF THE WORLD   2020  
  39       18017  
HURTS LIKE HEAVEN
  2012  
  40       14296   THE HARDEST PART   2006  
                     
                     
  In the early 1990s, somewhere at University College London, the paths of four young students with diverse backgrounds—but a shared passion—crossed: Chris Martin (born March 2, 1977), Jonny Buckland (September 11, 1977), Guy Berryman (April 12, 1978), and Will Champion (July 31, 1978). None of them suspected that this encounter would mark the beginning of one of the most influential bands of the 21st century. What began as innocent jam sessions and a mutual love for music quickly evolved into a tight collaboration. At first, they called their project “Pectoralz,” but after a few detours—including a brief period as “Starfish”—they eventually settled on the name Coldplay, borrowed from a friend who no longer needed it.

In 1998, their first EP appeared, titled Safety. Only a few hundred copies were printed, intended as a demo for record labels and friends. Nevertheless, this modest debut was impressive enough to put them on the radar of Parlophone—the label that soon recognized their potential and offered them a contract. What followed was a slow-motion breakthrough, built on musical craftsmanship and genuine emotion.

Their first official single, "Shiver", was released in early 2000 and immediately stood out thanks to Chris Martin’s fragile yet confident vocals and Jonny Buckland’s dreamy guitar work. This momentum peaked with the release of their debut album Parachutes in July of that same year. The album featured the track that truly introduced the world to Coldplay: "Yellow". With its melancholic lyrics, simple but effective melody, and Chris’s heartfelt delivery, "Yellow" became an anthem that catapulted the band from student dorms to Europe’s largest stages. Songs like "Trouble" and "Don’t Panic" further solidified their position as something special in the British rock scene—a sound that dared to be introspective during a time of bravado and bombast.

Their second album, A Rush of Blood to the Head (2002), built on that emotional foundation while adding more musical daring. It included tracks like "In My Place", "The Scientist", and "Clocks"—songs that conveyed deep emotions through layered instrumentation and thoughtful structure. "Clocks", in particular, was praised for its minimalist yet hypnotic piano motif, symbolizing Coldplay’s ability to blend simplicity with grandeur. The album won multiple awards, including a Grammy for Best Alternative Music Album, and cemented their international breakthrough.

Meanwhile, they grew not only as musicians but also as live performers. Onstage, Chris Martin was a whirlwind of energy and sincerity, yet he consistently emphasized that Coldplay was not a solo project. The dynamic between the four band members—Chris’s charisma, Jonny’s understated perfection on guitar, Guy’s solid basslines, and Will’s versatility on drums (and backing vocals)—formed the soul of the band. Behind the scenes, they experimented with new sounds, effects, and recording techniques, always seeking musical innovation without losing their core values: honesty and emotion.

When X&Y was released in 2005, Coldplay ventured into grander themes, from existential doubt to personal grief. Although critics were divided over the bombastic sound, fans found comfort in songs like "Fix You"—a track Chris wrote for his then-wife Gwyneth Paltrow after the death of her father. The song starts small, with a fragile organ melody and gentle vocals, and ends in an explosion of hopeful guitars and group harmonies. "Speed of Sound", another hit from the album, blended electronics with classic rock structures, proving the band refused to be confined by conventions.

Still, the urge for reinvention persisted. For their fourth album, they decided to collaborate with Brian Eno, known for his work with U2 and David Bowie, among others. The result was Viva la Vida or Death and All His Friends (2008)—an album that stepped away from Coldplay’s typical sound and drew inspiration from baroque music, Latin American rhythms, and even military marches. "Viva la Vida", the title track, became their biggest hit to date: it topped the charts in dozens of countries and earned Coldplay their first U.S. number-one. Other standout tracks included "Lost!", "Violet Hill", and the instrumental opener "Life in Technicolor". The production was colorful, immersive, and cinematic.

Their accompanying world tour was equally spectacular. Performances often began with a rain of confetti, flashing lights, and interactive wristbands that lit up to the rhythm of the music. Coldplay had become a band that not only listened to its audience but actively drew them into its universe—a world of hope, connection, and sweeping melodies. And despite their growing global fame, the band remained strikingly down-to-earth. In interviews, they emphasized their friendship, their democratic work process, and the importance of balancing fame with humanity. By the end of their first decade, Coldplay stood at a turning point. They had conquered the world with melancholy, experimented with grandeur, and now the future was wide open. What set them apart was their willingness to reinvent themselves time and again—without abandoning who they truly were.

At the start of the second decade of the 21st century, Coldplay had firmly placed itself on the global map. No longer just the guys from "Yellow" or the fragile "The Scientist", they had become a musical force—constantly reshaping and pushing boundaries. But where do you go when you’ve achieved nearly everything? For Coldplay, the answer was clear: you keep evolving.

In 2011, Mylo Xyloto was released—a conceptual album that told a colorful, futuristic story about love and oppression in a dystopian world. It sounded unlike anything they had done before: electronics, pop, graffiti-style visuals, and collaborations that opened new doors. "Princess of China", for instance, was an unexpected yet bold partnership with Rihanna. The track showed that Coldplay wasn’t afraid of cross-genre experiments, and that they could move fluidly between alternative rock and mainstream pop. "Paradise" also became a global hit, thanks to its infectious melody and grand production.

Mylo Xyloto was much more than just music—it was an audiovisual concept, with each track feeling like a chapter from a graphic novel. The accompanying concert tour brought the album to life with pulsating colors, interactive LED wristbands lighting up to the rhythm of the music, and a near otherworldly energy. Coldplay understood better than anyone that live shows in the digital age had to be more than just replaying what was on the record—they had to be an experience, a collective celebration.

Still, after the success of Mylo Xyloto, the band felt the need to return to something more personal. This came through in Ghost Stories (2014)—an intimate, introspective work in which Chris Martin processed the aftermath of his divorce. The sound was hushed, electronic, and dreamy, with songs like "Magic" and "Midnight" whispering rather than shouting. If Ghost Stories was an inward retreat, then A Head Full of Dreams (2015) was an outward explosion—a vibrant, hopeful album centered on love, unity, and fresh starts.

On A Head Full of Dreams, the band once again collaborated with artists outside their traditional genre. Beyoncé lent her voice to the majestic "Hymn for the Weekend", while Noel Gallagher (formerly of Oasis) played guitar on "Up&Up". The band clearly enjoyed stepping out of their comfort zone. And although some found the album more lighthearted than previous works, for Coldplay it felt like a necessary celebration of life—a musical embrace in a world that often feels cold.

They also proved they didn’t just want to entertain their audience, but to inspire them. During their A Head Full of Dreams tour from 2016 to 2017, they played to millions around the globe, with concerts across Latin America, Asia, Europe, and North America. Each performance felt like a party full of color, light, positivity, and connection. The setlists danced between nostalgia—"Fix You", "Clocks"—and their more danceable new work like "Adventure of a Lifetime".

In 2019, they surprised everyone by taking a more subdued path with Everyday Life. With no lead singles, no marketing blitz, and minimal promotion, a double album quietly appeared: Sunrise and Sunset. It was their most political and socially conscious work to date. They addressed themes like migration ("Orphans"), religion, racism ("Guns"), and loss. "Everyday Life" felt like an open letter to the world—fragmented, painful, hopeful. The band deliberately chose not to support the album with a traditional tour, due to the environmental impact of flying and freight. Instead, they performed two concerts in Jordan, streamed live on YouTube, set against the backdrop of a literal sunrise and sunset.

When Music of the Spheres was released in 2021, Coldplay returned to their love for grandeur and imagination. Produced by Max Martin, the album explored the cosmos—both literally and figuratively. In their imaginary planetary system, they combined science fiction with existential reflections on love, connection, and digital-age existence. It brought them the mega-hit "My Universe", a collaboration with Korean band BTS. The song’s message—that music and love transcend all boundaries—resonated worldwide, bringing Coldplay millions of new fans. Other tracks like "Higher Power" and "Let Somebody Go" (featuring Selena Gomez) once again proved their ability to wrap the personal in the epic.

The follow-up tour—the Music of the Spheres World Tour—may have been their most ambitious yet. Not just musically, but also in terms of sustainability. They introduced kinetic dance floors, fan-powered bicycles that generated electricity, and pledged to cut their CO₂ emissions by half compared to previous tours. It was a statement: Coldplay didn’t just want to be part of the world—they wanted to take responsibility for it.

Despite their global fame, the four band members remained remarkably grounded. Chris Martin—still that same open-hearted guy—remained humble about their success. Jonny Buckland, Guy Berryman, and Will Champion continued to be equally vital, each with a distinct style, temperament, and influence. Coldplay still operated as a democracy, where every voice mattered—and that remained audible in their music: always layered, always sincere.

Where other bands fell apart, faded, or stagnated, Coldplay kept growing by staying true to their core while reinventing themselves again and again. Whether through technological experiments, unusual collaborations, or socially engaged statements—their music remained both comfort and celebration. They were the soundtrack to love, loss, change, and hope.

And as they entered their third decade as a band, there was no end in sight. For Coldplay, music was never just a career—it was a way to connect across cultures, generations, and borders. And as long as there was something to feel, they would be there to give it melody and meaning.