TOP		APC		PEAK		title		YEAR
	1		390		98		STAYIN' ALIVE		1978
	2		752		112		MASSACHUSETTS		1967
	3		857		230		NIGHT FEVER		1978
	4		882		306		HOW DEEP IS YOUR LOVE		1977
	5		1102		385		WORDS		1968
	6		1157		108		SPICKS AND SPECKS		1967
	7		1354		619		TRAGEDY		1979
	8		1409		583		YOU WIN AGAIN		1987
	9		1536		588		I STARTED A JOKE		1969
	10		1540		538		NIGHTS ON BROADWAY		1975
	11		1563		489		DON'T FORGET TO REMEMBER		1969
	12		1784		666		LONELY DAYS		1970
	13		2412		927		NEW YORK MINING DISASTER 1941		1967
	14		2521		357		I'VE GOTTA GET A MESSAGE TO YOU		1968
	15		2600		160		WORLD		1967
	16		3612		1508		TO LOVE SOMEBODY		1967
	17		4061		1906		YOU SHOULD BE DANCING		1976
	18		4530		2082		TOO MUCH HEAVEN		1978
	19		5149		1613		HOLIDAY		1967
	20		5465		2226		HOW CAN YOU MEND A BROKEN HEART		1971
	21		6500		1217		JUMBO		1968
	22		6916		2477		MY WORLD		1972
	23		7238		1546		FIRST OF MAY		1969
	24		7743		1797		TOMORROW TOMORROW		1969
	25		8872		2398		THE SINGER SANG HIS SONG		1968
	26		9710		2719		I.O.I.O.		1970
	27		10799		3463		JIVE TALKING		1975
	28		10968		4238		SECRET LOVE		1991
	29		12438		3925		HE'S A LIAR		1981
	30		14204		5491		PAYING THE PRICE OF LOVE		1993
	31		16343		7666		RUN TO ME		1972
	32		16824		5660		ALIVE		1972
	33		16831		5664		LET THERE BE LOVE		1970
	34		18386		6503		THE WOMAN IN YOU		1983
	35		19452		6769		ORDINARY LIVES		1989
	36				7268		WHEN THE SWALLOWS FLY		1971
	37				13419		MORE THAN A WOMAN		1977
	38				7761		ISRAEL		1972
	39				12878		ALONE		1997
	40				3659		LOVE YOU INSIDE OUT		1979
	The Bee Gees, consisting of brothers Barry Gibb (born September 1, 1946), Robin Gibb (December 22, 1949 – May 20, 2012), and Maurice Gibb (December 22, 1949 – January 12, 2003), began their musical journey in the 1950s. Born on the Isle of Man, they grew up in Manchester, England, before moving to Australia with their family in 1958. There, they started pursuing their music career seriously, performing under various names, including The Rattlesnakes and Wee Johnny Hays and the Blue Cats. One of the first anecdotes that confirmed their musical calling took place in a cinema in Manchester. The young brothers were supposed to play a record and lip-sync to it, like other children did. However, on the way to the cinema, the record broke, forcing them to sing live. To their surprise, their performance received an overwhelmingly positive response from the audience, motivating them to pursue a career in music. In Australia, the brothers had their first breakthrough when a local DJ, Bill Gates, discovered their talent and introduced them to the music industry. This led to their first hit, "Spicks and Specks" (1966), which became a major success in Australia. This success gave them the confidence to return to England, where they signed a contract in 1967 with Robert Stigwood, an influential music producer. Their first international album, Bee Gees 1st (1967), brought them worldwide recognition with hits such as "New York Mining Disaster 1941", "To Love Somebody", and "Massachusetts". The brothers' unique harmonies and emotional lyrics made them beloved by a broad audience. Throughout the late 1960s and early 1970s, they continued to produce hits, including "I Started a Joke", "Lonely Days", and "How Can You Mend a Broken Heart", their first number-one hit in the United States. Despite their success, the group faced challenges. In 1969, the band temporarily split due to creative differences, with Robin starting a solo career. Barry and Maurice continued as the Bee Gees, but after a brief period, the group reunited in 1970. Their album 2 Years On marked their comeback, featuring the hit "Lonely Days". Another interesting anecdote from this period is that in 1967, the Bee Gees were introduced by their manager Robert Stigwood as "the new Beatles." This was a bold claim, but their harmonies and songwriting style indeed bore similarities to the legendary band. Although they never reached the status of the Beatles, they established themselves as one of the most influential groups of their time. In 1975, the Bee Gees underwent a radical transformation that once again propelled them to the top of the music industry. After experiencing declining success in the early 1970s, they found their new sound in R&B and disco, partly due to their collaboration with producer Arif Mardin. This resulted in the album Main Course, which introduced their signature falsetto style and produced hits such as "Jive Talkin'" and "Nights on Broadway". Their next album, Children of the World (1976), solidified their place in the disco scene with the global hit "You Should Be Dancing". This song became a favorite in nightclubs and marked the beginning of their dominance in the genre. In 1977, the Bee Gees had the opportunity to write the soundtrack for the film Saturday Night Fever, starring John Travolta. This project became an unprecedented success and produced iconic songs such as "Stayin' Alive", "Night Fever", and "How Deep Is Your Love". The soundtrack spent 24 weeks at number one on the U.S. charts and sold over 40 million copies worldwide. The Bee Gees became the undisputed kings of disco. Their next album, Spirits Having Flown (1979), built on their previous success with hits like "Too Much Heaven", "Tragedy", and "Love You Inside Out". This album sold over 30 million copies, solidifying the Bee Gees' status as superstars. As the disco craze began to fade in the early 1980s, the Bee Gees experienced a decline in popularity. Their 1981 album, Living Eyes, was a commercial failure, prompting the group to focus more on songwriting and production for other artists. They wrote and produced hits for Barbra Streisand ("Woman in Love"), Dionne Warwick ("Heartbreaker"), Diana Ross ("Chain Reaction"), and Kenny Rogers & Dolly Parton ("Islands in the Stream"). In 1988, tragedy struck when their younger brother Andy Gibb—who had enjoyed a successful solo career—passed away at the age of 30 due to drug and alcohol abuse. This was an emotionally difficult period for the Bee Gees. Despite the challenges of the 1980s, the Bee Gees made an impressive comeback in the 1990s. Their 1997 album, Still Waters, was a huge success, selling over 2.5 million copies worldwide. This led to their induction into the Rock & Roll Hall of Fame that same year. After releasing their final studio album, This Is Where I Came In (2001), it seemed that the Bee Gees were entering a new chapter in their career. The album was well received, bringing them back into the spotlight. Sadly, shortly thereafter, the group was struck by another tragedy when Maurice Gibb unexpectedly passed away in 2003 at the age of 53. His death marked the end of the Bee Gees as an active group. Barry and Robin remained musically active but pursued separate paths. Barry Gibb focused on solo projects and collaborations with other artists, while Robin Gibb dedicated himself to solo albums and special performances. In 2009, Barry and Robin briefly reunited to perform as the Bee Gees, but a full reunion never materialized. In 2012, Robin Gibb passed away at the age of 62 due to colorectal cancer, bringing a definitive end to the legendary group. Barry Gibb continued to keep the Bee Gees' music alive through performances and collaborations with other artists. In 2016, he released the solo album In the Now, returning to his signature style. The Bee Gees’ influence remains strong in the music world. Their songs are still widely played, and their unique harmonies and songwriting have inspired generations of artists. In 2020, their legacy was celebrated with the documentary The Bee Gees: How Can You Mend a Broken Heart, which provided an in-depth look at their career and impact on music history. Though the Bee Gees are no longer an active group, their music remains a timeless part of pop culture. Barry Gibb continues to perform, and their songs are still covered and remixed by contemporary artists. Their legacy as one of the most influential and successful groups in music history lives on.